A recent post on FXGuide regarding Pointcloud9, a European company that provides high quality 3D scanning services to the film industry, has me fascinated with how this technology is being used today. LIDAR is basically the process of using a laser to get the 3D information of an object or environment similar to the way desktop 3D scanners operate and it ties in perfectly with my previous Recreality post, about the future of cinema. These laser-based range finding cameras are ultra accurate. No Kinect hack here. Perhaps this is the way it will be done in the future? Incidentally, this technology was used 4 years ago for Radiohead’s House of Cards music video.
I just received my Lytro and have been having a blast taking photos with it. It’s absolutely brilliant. If you’re unfamiliar with this camera, it allows you to focus the picture after it’s already been taken. The move from in-camera to in-post is certainly being lead by technology and economics. My Pixel Cloud plugin is also trying to bring more of those capabilities into After Effects. Just look at the Microsoft Kinect and how innovative pioneers are using its ranging features to recreate environments from recorded point clouds. And Samsung has developed a sensor that not only records RGB but Depth pixels as well! These are amazing innovations for effects artists.
Imagine a future where we can record whole rooms as animated environments. Think 3D scanners that scan whole rooms at one time and at 24fps. We could completely eliminate conventional camera motion control and create everything in-post. We could change the lighting setups, create digital camera rigs all after the video has already been shot. Not as CG but as recorded pixels in 3D space; An accurate representation of reality that we can manipulate to our choosing. This opens up possibilities for interactive story-telling, not to mention subjective 3D stereography. I could imagine a dozen more uses.
This isn’t just virtual reality but recreated reality, “Recreality.”