The Camera Instancer script is now available from AEScripts.com! Get it now! Camera Instancer will create a camera that instances the active camera from another composition. You can then cut and paste this camera into any other composition. The modifications that you make to the active camera in the first composition will be duplicated in the second composition. Even if you change the active camera!
Pixel Cloud version 1.0 has updated its installer for After Effects CC. The plugin itself is the same between CS6 and CC actually. However, since the file path conventions are different because it is “CC” and not “CS6” the installer was updated to accommodate this. You can download the new version from AEScripts.
In related news, I am currently working on version 2.0 of Pixel Cloud and will be happy show off what’s new with this update! Version 2.0 will be a free update for version 1.0 owners! A new tutorial video is in the works as well as some new scripts and other goodies. At some point in the near future these updates will be coming quick so stay tuned!
It’s been a while since I’ve updated you guys. A lot of goings ons in the Graphics world as of late. To get back into the swing of things I’m posting this tutorial on Fixing 32bpc Aliasing. Working in 32bpc has its advantages as well as gotchas you’ve got to watch out for. Sometimes aliasing or jagginess can enter into your composition when using colors that go beyond 1.0 in the channel values. *Watch the tutorial below.
*I apologize in advance for the occasional sound issue.
The Duplicate with Connections script has been updated and be downloaded at AEScripts + AEplugins. This update adds an option to use the property index instead of the property name. This can be useful in which multiple properties may have the same name and therefore can confuse the expressions engine. I understand this could be of help with those of you using expressions in Element.
In other news, I have to apologize for the lack of communication for a while. It’s been a busy few months at work and with a new baby at home! But I’ve got a video tutorial I am working on and an update for the Pixel Cloud plugin as well as a brand new plugin on the horizon!
Hey guys, this tutorial is a brief overview on how to use Maya to quickly create a position pass and normal pass to be used with the Pixel Cloud plugin for After Effects. The process is pretty much the same as in my previous tutorials but this is dedicated to exporting the passes from Maya and the adjustments necessary after importing into After Effects.
On a side note, I’ve started setting up a Forum for any questions regarding Pixel Cloud, Scripts and even just general graphics talk! If you have any technical questions please feel free to post here and for my customers feel free to email me at email@example.com I’ll get back to you! The forum is still in the beta stages but feel free to start using it!
The Pixel Cloud plugin effect for After Effects has several nifty features including the ability to relight a 3D rendered scene using separate passes. With this feature, you can drastically change the light source, direction of light and mood of a scene as well as the specularity and reflections in an image. Here is a demo/tutorial of how this can be achieved in After Effects with the Pixel Cloud plugin!
The upcoming Pixel Cloud plugin for After Effects can be used to relight a source image affecting the diffuse and specular properties. Coming soon I’ll be posting a revealing demo of how easy it is to take a static image from a 3D package and use Pixel Cloud and After Effects’ own 3D lights to create a dynamic and believable composite with moving lights, shadows, and reflections. Here’s an end product of what it will look like!
Pixel Cloud has a robust set of relighting tools. These include relighting tools for diffuse, specularity, reflections and the ability to relight the “Alpha” of a 3D displaced image using After Effects own lights. In Pixel Cloud we can specify lights that only affect the alpha channel of an image. Since the image is a 3D displaced Pixel Cloud, this means we can easily separate parts of an image according to their depth information. This is a powerful tool and a normal map isn’t a prerequisite, meaning you can relight non-CG generated images like photos and video. The video isn’t up yet but as a taste here is a preview of what the upcoming demo/tutorial will show how we can utilize this tool to relight the alpha of Jack, our cute little dog from the previous demo!